IaVut
Originally from Bacǎu, Romania, Iaut Vlad , known by his artist name IaVut , has been quietly shaping his own path in the electronic and melodic techno world. His sound is a mix of driving grooves and moody, atmospheric melodies, often touching on elements of melodark and hi-tech minimal, but always filtered through his own perspective. Through careful layering of arpeggiated synth lines and base , IaVut’s tracks cultivate a unique atmosphere that bridges club energy and emotional depth. In interviews and press features, IaVut has been noted for his preference toward a melodic yet underground-leaning style, driven by groove and firmly rooted in the realm of melodic techno—deliberately avoiding the commercial formulas typical of mainstream EDM. This approach has earned him comparisons to other minimal and melodic techno artists from Eastern Europe, though his distinctive style stands out through extended, evolving compositions rather than concise, anthem-like structures.
Career and Discography
IaVut’s recorded output has been prolific since his debut EP. His first major release was the Underneath EP (2024), a five‑track collection of deep, house‑inflected techno. Later in 2024, he issued two full-length albums: Serial Killer (December 2024) and Memories (September 2024). Serial Killer is a six‑track, 40-minute set of brooding techno grooves, while Memories spans 10 tracks and 65 minutes of expansive melodic techno. The Memories album includes long-form compositions such as the 8:56-minute “Find the Way Home” and the 6:11 title track “Memories”, exemplifying IaVut’s commitment to extended, evolving structures over formulaic drops. Notably, music platforms like Shazam, Spotify etc. list Serial Killer, Memories, and Underneath as his core releases.
In parallel with his album work, IaVut has released a consistent stream of singles showcasing his sonic diversity. His early discography includes titles such as “Ai Iavut Dreptate” (2023), “Rain Drops” (2023), and “Boris Brejcha” (2024), a sharp-edged techno track named after the renowned German DJ. By 2025, he expanded his catalog with a number of digital singles across platforms like Apple Music and Amazon, including:
• “Cha-Cha with The Devil”
• “Let Me Go”
• “Love Yourself”
• “Sorry, I Left”
• “Nychtophobia”
• “Matching Numbers 927”
• “It’s All Right, It’s Nothing Left”
• “Radioactive Mosquito”
• “Aliens & Pyramids”
• “Time Traveler”
• “Calypso”
• “Cereal Chiller”
• “In Love with Nefertiti”
A special version, Sorry, I Left (8D Surround), was also released in 2025, highlighting IaVut’s interest in spatial sound design.
Across his entire catalog, IaVut maintains creative control as both composer and producer, carving out a personal niche in the melodic techno space with an emphasis on depth, groove, and atmosphere.
Live Performances and Presence
On stage, IaVut has built a reputation as a reliable selector of deep techno sets. In Romania he frequently appears at domestic events connected with Bacǎu’s Zebra Records scene – for instance, he has been featured in the label’s own ZNS party series in Bacǎu and in Bucharest club nights. In faraway years IaVut has also begun branching out across Europe. His 2014–25 tour itinerary reportedly includes dates in the United Kingdom and Italy, reflecting a growing demand abroad. While specific festival bills and club gigs are typically announced through local promoters, accounts from fans indicate he has played melodic techno showcases in London and at key Italian venues (for example, techno club nights in Milan and Rome). These overseas appearances, although few, signal IaVut’s ambition to expand beyond Romania; his sets at international events are noted for retaining the danceable character of his studio work.
Collaborations and Label Association
IaVut’s music is released through the Romanian imprint Zebra Records (Zebra Rec), the Bacǎu-based label that evolved from the famed local club “Zebra Club” and helped birth the country’s “rominimal” sound . This association means he often shares bills with other Zebra artists like HrisQ and more at label showcases. A notable collaboration on record is with the american producer Rick Wollflich: Wollflich contributed an extended remix of IaVut’s song “Take Care,” and the featured track “Let Me Go” . Beyond that, IaVut’s work has remained largely solo, though he routinely credits the Zebra community. In sum, his career combines that label affiliation – a stamp of underground credibility – with grassroots collaborations (such as remixes) to reinforce his standing in the melodic techno and electronic music genres.
